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Grateful Dead Live at Seattle Center Coliseum on 1983-08-27




Set 1

Jack Straw
Deep Elem Blues
My Brother Esau
Brown Eyed Women
Little Red Rooster
Ramble On Rose
Looks Like Rain ->
Deal

Set 2

Touch Of Grey
Playing In The Band ->
Uncle John's Band ->
Drums ->
Space ->
Throwing Stones ->
Black Peter ->
One More Saturday Night

Encore
It's All Over Now, Baby Blue


Collection GratefulDead
Band/Artist Grateful Dead
Date August 27, 1983
Venue Seattle Center Coliseum
Location Seattle, WA

Source FOB, Nakamichi CM300's > Sony TC-D5 (MAC) > C1 (Sony TC-D5 > Marantz PMD-340 > TDK SA-90's) (no Dolby)
Lineage C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taped by Keith
Transferred by Andrew F.


Notes

I was taping in a group of about 25 people set up FOB. At the
end of the show I found out that the guy whose deck I patched
from had bad batteries, and my whole tape sounded fuzzy. I
quickly got a nearby taper to dub the show for me and taped
right over my master. Thanks to taper "Keith" for the copy...

Notes:
- Start of LLR cuts in after tape-flip.
- Disc break is seamless.
- Patches from ShnID-16439 as follows: Jack Straw 0:28 > 0:33,
Space 2:49 > 3:38, and Space 4:00 > 4:05.
- Alternate burn option: D1 as 1st Set plus encore, D2 as 2nd Set.

Reviews

Reviewer: mattiblue - - August 27, 2013
Subject: crystal space
got on in ol 83 and always loved this summertour .imo this is the best sounding version of this energetic flowing and spacey concert , five for the fun !
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Source: Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
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Source: Source: Schoeps CMC4/MK41 > Oade P/S? > PCM (Master) > PCM (Clone1); Location: FOB 16th row center; PCM
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.
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Source: Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename